Thinking About Consciousness in the Meat Only a Blogpost not a Paper 8 min read The Quantum Connection I was getting pulled into the fascinating intersection of quantum mechanics and consciousness again, (it happens from time to time) and I realised, I can't articulate this stuff verbally to anyone. That's why I started typing it. It was Roger Penrose and Stuart Hameroff's proposal in their Orchestrated Objective Reduction ( Orch-OR ) theory that hounded me. They say consciousness emerges from quantum processes in microtubules—the structural frames inside our brain cells. It's quite heavy. Anyhow, those guys say consciousness occurs when probability waves (superposition: in every state it can be in at the same time) collapse after reaching the threshold inside our microtubules. This is what sparks moments of consciousness. Fair enough. Think of living things as quantum collapse interfaces, microtubules like a radio receiver—breaking down bigger waves so we can appreciat...
My Approach To Creativity
4 min read
When we read a book such as Mary Shelley's Frankenstein we will conjure up various images of Victor Frankenstein, even though the classic black and white film used a mad scientist archetype, which is not in the novel at all. There's nothing wrong with borrowing this popular movie icon to visualise Shelley's words. Victor Frankenstein, (like many fictional literary characters) have to form into your concept of what they might be; we take on the job of visualising or bringing characters to life through interpretation—this is where the work of the author ends and where we begin.
The cartoonist and illustrator does exactly the same with character creation or the composition of visual comedy. Symbols, pop culture, stereotypes, tropes and memes are all tools. We all saw the caricatures of Trump that saturated Instagram, especially the tantruming child or cry baby? This man has been symbolised, mocked and postured more than most political figures I can think of, to be honest.
It's the various combinations or ways of depiction, the construal and style are way more important than the subject. Countless techniques are within you, waiting: you can break the conceptual art perimeters. I love how cartoonists unapologetically make piss taking and fuckwittery an art.
At the start of my drawing processes, there is always a haze, that blurry raw idea, the gist of what I want to say. If I wanted to make a visual joke about MPs who plan to cut disability benefits for vulnerable people, I'd immediately start by exploring imagery based on common stereotypes. The demonisation conveyed in the art taints the targets actions—sadly some internet platforms ban you for it!
Before Anthony Hopkins immortalised Hannibal Lecter back in the nineties, people read about him first. His presence and appearance was upto the reader. He was multifaceted in his written form (he had crimson brown eyes and extra fingers in the book).
Realistic cartoons take longer to do, and they can detract from the mood or the joke itself! Maybe this is why Calvin and Hobbes aren't decorated with ultra realistic facial features. Well designed bur simple creations let your imagination do a little work.
